Using Advanced Layer Features to Create Animations. Creating a Transition between Image States. Creating Animated Images for the Web.Ĭreating Animations in Adobe ImageReady. Designing Web Pages Using Multiple Adobe Programs. Previewing the Completed Banner in a Browser. Creating Web Graphics Using Slices and Rollovers. Optimizing Images Using Photoshop or ImageReady. For the Web: Creating Two-Color Web Graphics. Assigning Values to the Black and White Points. Calibrating and Characterizing Your Monitor Using Adobe Gamma. Setting up Your Monitor for Color Management. Re-Creating the Logo, Using Actions and Styles. Vector Shapes and Clipping Paths.Ībout Bitmap Images and Vector Graphics. On Your Own: Painting with the Art History Brush. Saving the Image for Four-Color Printing. Adjusting Saturation with the Sponge Tool. Applying a Filter Effect to a Masked Selection. Loading a Mask as a Selection and Applying an Adjustment. Creating a Textured Effect with a Natural Brush. Creating a Glow Effect with a Custom Airbrush. Painting Shadows in Nontransparent areas. Smoothing the Edges of a Paintbrush Stroke. Blending the Lily Image with the Background. Changing the Opacity and Mode of a Layer. Selecting and Removing Artwork on a Layer. For the Web: Creating Evenly Spaced Buttons for a Web Page. Selecting with the Elliptical Marquee Tool. Selecting with the Rectangular Marquee Tool. Starting Adobe Photoshop and Opening Files. Starting Adobe Photoshop and Adobe Imageready. Installing Adobe Photoshop and Adobe Imageready. But my favorite is the clipping display in Levels – you simply hold down the option key as you move the black-and-white-input sliders to see exactly which pixels are being cropped, without introducing psychedelia to the rest of the screen.About Classroom in a Book. When you use the crop tool, for example, the cropped area darkens, and you can control the color and opacity of that area. , where you can store palettes with a single click (though they disappear as soon as you click outside them). It holds both the options for the currently selected tool and the The most obvious new element is the Options bar, which appears by default under the menu bar and replaces the Options palette. Photoshop’s interface continues to mature, letting you control both old and new features with a minimum of fuss. Some filters – including Unsharp Mask, Gaussian Blur, Median, Dust and Scratches, Add Noise, and High Pass – now work on high-bit images, as do Resize Canvas and the History Brush. The new Gradient Map feature, which is 16-bit enabled, gives you another way to produce custom grayscale conversions or create the kind of surreal landscapes Dave encountered in
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Support for 16-bit channels got a shot in the arm: you can work in 16-bit-per-channel Lab color mode in addition to RGB, grayscale, and CMYK. (You’ll still want to use ImageReady to save slices as sets and to create rollover styles, however.) And the program can create slices based on layer content, making it easy to create rollovers, animations, and other Web effects.
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For Web graphics, you can create slices – separate image regions that can have their own HTML code attached – directly in Photoshop. You can also lock a layer’s transparent pixels, its nontransparent pixels, and its position. The 99-layer limit is gone, and you can group layers into sets and treat them as a unit. Because vectors are much more memory-efficient than pixels, type effects that used to result in multimegabyte files now take only a couple hundred kilobytes.īut Photoshop’s forte is still image editing, and version 6’s layer-management enhancements make creating complex, multilayered images much easier. And you can achieve startling effects using vector layers with attached Layer Effects such as glows, bevels, shadows, patterns, and gradients (now grouped together as Layer Styles you can save). New Shape tools let you create a huge variety of sharp-edged, editable, vector-based shapes, including text. Photoshop isn’t just about pixels anymore. If you haven’t used Photoshop before, you’ll be pleasantly surprised by its power and depth: it has something for everyone. No matter how you use Photoshop, this is a must-have upgrade. Photoshop celebrated its tenth birthday this year, and the new version shows a polish and maturity that younger applications simply can’t attain. It offers a lot of new features, and it puts them in a more comprehensible user interface than ever.
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But considering the program hasn’t had a serious competitor on the Mac in years, Photoshop 6.0 is much better than it needed to be.
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Were Adobe Photoshop locked in a death struggle for dominance with another image editor, the scope and quality of its latest upgrade would be less surprising.